The Armed Lion

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( an eclectic blog )

Nothing can stop me .
Except cats, right .

March 11, 2014 at 8:01pm
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March 3, 2014 at 8:20pm
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February 19, 2014 at 2:34pm
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“Interior, Sunlight on the Floor”, 1906, Vilhelm Hammershoi.


Interior, Sunlight on the Floor”, 1906, Vilhelm Hammershoi.

December 14, 2013 at 1:51pm
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December 13, 2013 at 5:55am
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September 14, 2013 at 8:42am
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August 23, 2013 at 9:53am
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Massimiliano Sarno

July 28, 2013 at 8:30pm
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Ryan Voetsch’s photos will remind you of road-trips you’ve never had.

(Source: unknowneditors, via chainsawsavvy)

July 2, 2013 at 6:41am
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-I-D- by *Veld-Nova


-I-D- by *Veld-Nova

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June 22, 2013 at 5:30am
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Dan Lavric


Dan Lavric

June 19, 2013 at 12:50pm
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Reblogged from ex0skeletal

(via Lucis Et Umbrae by *RovinaCai on deviantART)


(via Lucis Et Umbrae by *RovinaCai on deviantART)

(via thehumanveil)

June 5, 2013 at 3:13pm
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Reblogged from sian-rhiannon

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May 12, 2013 at 7:59am
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Reblogged from leslieseuffert



“This has got to be one of the trippiest light installations we’ve ever come across. Isotopes v.2, by Nonotak Studio, is currently on view at the Mapping Festival in Geneva. The catalyst for the project is the now famous city of Fukushima in Japan. Back in 2011, Fukushima’s nuclear power plant suffered major damage after a 9.0 earthquake and a subsequent tsunami hit Japan. Fukushima’s residents were evacuated from the city as radiation levels skyrocketed. Officials deemed the disaster a level 7, the highest level of seriousness for a nuclear incident. This light installation brings that tragedy back to the forefront in a jarring and thought-provoking way. “Isotopes is an open space which can also be perceived as a prison,” they explain. “At first, the slow and hypnotizing moving lights attracts the visitor into the heart of it. Then, the rhythm and the intensity become continually more aggressive until it generates immaterial barriers: it’s easy to get in but neigh impossible to get out. This echoes the way humans approach nuclear power. First seduced, then addicted by its comfortable energy, humans have become trapped in an unstable situation. The rhythm of the lights and the sounds bring back the connection between the Japanese and their awareness of radioactive omnipresence. Sometimes you can forget it, like the glow of a night light, but sometimes the conscience gains the upper hand, and fear comes back with loss of ground reference. Through the metamorphoses of its appearance, this installation leaves the visitor between what once existed and what didn’t, drawing them into the spectrum of their own volatile emotions.”

December 22, 2012 at 6:45pm
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Reblogged from nevver

Paris n’existe pas


Paris n’existe pas

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December 12, 2012 at 3:03pm
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Reblogged from atavus


Anders Krisár - Janus, 2006

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